They’re all witty, intelligent critics who have become adept at diagnosing the cultural ills of contemporary society over the course of fairly brief tenures in the public eye, but they also all belong to the demographic perhaps most afflicted by the modern crisis of form: young elites who have been exposed since their teenage years to the full brunt of the internet content deluge, untethered from though perhaps yearning for a self-contained and tradition-rich literary scene in which to make their way.