Jon Askonas

The modern conservative project failed because it didn’t take into account the revolutionary principle of technology, and its intrinsic connection to the telos of sheer profit. Decrying left-wing revolutionary politics and postmodern anarchy, conservatives missed that the real moral relativism was to believe that one could change the material form of society without directly affecting its substance or its ends.

But the tensions between these factions—“whose tradition? which conservatism?”—aren’t the real problem today. Rather, it is that the conservative defense of tradition has failed—not because the right lost the battle of ideas, but because technological change has dissolved the contexts in which traditions once thrived. A technological society can have no traditions.

When you descend from lofty rhetoric about “Traditions” and “Values,” it becomes apparent that a huge number of the actual practices and social institutions which built those virtues have disintegrated, not because of Progressivism or Socialism but because of the new environment and political economy generated by technology. For decades, sociologists have charted the decline of two-parent families, hobbies, local newspapers, churches, stable employment, women’s clubs, libraries, amateur sports, political rhetoric, neighborhood barbecues, Boy Scouts, small businesses, classical music, credit unions, and on and on. Even studies that catastrophize about the rise of loneliness, fatherlessness, economic precarity, and suicide, miss the bigger picture, which is that the social infrastructure conducive to human flourishing has shifted even for those fortunate enough to piece together a semblance of the average American life 50 years ago. A tradition is at an end when the wisdom of yesteryear no longer obtains.

Marx showed how a material transformation of the economic order could have enormous social and cultural effects. Forging the human order anew means building technologies that make it easier to live well.

Modernity liquidates traditions for the same reason that a firm might liquidate an underperforming factory: to improve the allocation and return of capital. “All fixed, fast-frozen relations,” as Marx put it, “with their train of ancient and venerable prejudices and opinions, are swept away, all new-formed ones become antiquated before they can ossify.” Technology, for Marx, is the true revolutionary principle, destroying traditions by shifting their foundations faster than they can adapt.

Conservatives “lost the culture” not because they lost the battle of ideas, but because they lost the economy.

Realizing what time it is, that we are living after tradition, isn’t a counsel of despair. Those who look to build a human future have been freed from a rearguard defense of tradition to take up the path of the guerrilla, the upstart, the nomad. We can bid farewell with fondness to the modern defenders of tradition. But we must heed the words of the Lord: “Let the dead bury their dead.” Come with me if you want to live.

If we believe in a human future, we must build it, not with kind words or tax credits, but with a serious program of technological development.

The digital era has ushered in a further phase of the technological destruction of tradition. Whereas some kinds of automation create new demand for higher-skilled work, digital automation based on even rudimentary forms of artificial intelligence can instead increase demand for low-skill work pushing buttons. Training on the collective efforts of thousands of years of culture, machine-learning algorithms aim to supplant human performance for classification, writing, drawing, coding, driving, making music, and a host of other practices. While the best humans may always outperform computers, these technologies knock out the bottom rungs of skilled practice that allow for the development of mastery in the first place.

The increased power to simulate human culture goes alongside the increasing availability, searchability, and profitability of “intellectual property” (the detritus of past popular culture), such that continued production of new culture and art has become optional. The incentives for investors skew more every year towards the marketing, exploitation, and further development (aided by deepfake technology) of the old over the discovery of the new. For instance, while the advent of mass media in the last century weakened older musical cultures by undermining the need to make music within the home, it also produced wave after wave of new popular music forms: jazz, country, rock, hip-hop, electronica, and so on. But since the rise of instantly accessible, algorithmically recommended digital music, a strange quietude has settled upon the whole field. This combination of stasis, decadence, and simulation characterizes human culture after tradition.