In addition, cyberpunk strikes a revolutionary, anti-establishment, anti-capitalist pose similar to its nominal relation ‘punk.’ To facilitate this critique, cyberpunk essentially orchestrates the evanescence of the human body initiated by ‘multinational capitalism’s desire for something better than the fallible human being’ (Csicsery-Ronay, ‘Cyberpunk’ 191).
Lars Schmeink, Dystopia, Science Fiction, Posthumanism, and Liquid Modernity