The cyborg as central metaphor

Robotics and computer science had progressed immensely and the cyborg became the central metaphor to understand social and cultural reality as a construction of multiple identities, a metaphor truly made for the late twentieth-century imagination: ‘a hybrid of machine and organism’ (Haraway, ‘Cyborg Manifesto’ 149).

Lars Schmeink, Dystopia, Science Fiction, Posthumanism, and Liquid Modernity, p. 21

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